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// MATTER OF TIME _ 8 to 11 April 2021

// Studio 21 _ 2 April 2021

MATTER OF TIME
Preparation

// Studio 20 _ 5 March 2021

RESEARCH ON EXPERIMENTAL ART
Public Presentation

// Studio 19 _ 5 February 2021

RESEARCH ON EXPERIMENTAL ART
Presenting the website with text and artists’ archive on an artform by individual choice

// Studio 18 _ 8 January 2021

RESEARCH ON EXPERIMENTAL ART
Presenting artists’ archive on an artform by individual choice

MATTER OF TIME Publication
Final cross-check to print

// Studio 17 _ 4 December 2020

RESEARCH ON EXPERIMENTAL ART
Writing introduction texts on an artform by individual choice

MATTER OF TIME Publication
Feedback from the editing team

// Studio 16 _ 6 November 2020

MATTER OF TIME Publication
Texts ready for peer-review

MATTER OF TIME Publication
Presentation of image choices

// TRANSCULTURAL TALKS _ 2 to 3 October 2020
Participation either in hosting or documenting a panel

// Studio 15 _ 11 September 2020

MATTER OF TIME Publication
Choice and explanation of contexts

DISCOURSE ON DISPLAY
“Working on Quotes” Presentations (6)

// Studio 14 _ 7 August 2020

MATTER OF TIME Publication
Artist’s Interview transcripted

DISCOURSE ON DISPLAY
“Working on Quotes” Presentations (6)

// Studio 13 _ 3 July 2020

MOOC L’art en quarte temps
Artists’ presentation by individual choice
Collective summary and evaluation

DISCOURSE ON DISPLAY
“Working on Quotes” Presentations

// Studio 12

MOOC L’art en quarte temps
Artists’ presentation by individual choice

DISCOURSE ON DISPLAY
Reading texts

// Studio 11

MOOC L’art en quarte temps
Artists’ presentation by individual choice

DISCOURSE ON DISPLAY
Reading texts

// Studio 10

MOOC L’art en quarte temps
Artists’ presentation by individual choice

DISCOURSE ON DISPLAY
Reading texts

// Studio 9

MOOC L’art en quarte temps
Artists’ presentation by individual choice

DISCOURSE ON DISPLAY
Reading texts

// Studio 8 _ 10 April 2020

TASAWAR Profiles
Please check on the state of the TASAWAR profiles. Please assist the international participants to build their profile.

TASAWAR Moving between Languages
Research / prepare the translation of the cluster of wording around experimental artforms.
For the international participants: Please check on the differences of connotations between English and your home language.
For the native English speakers: Please check on the etymology of the cluster of terms.

MOOC c/o Centre Pompidou Paris 2018: L’art moderne et contemporain en 4 temps.
1 _ Please complete the part “Répéter”.
2 _ Please prepare a presentation of an artist whose artistic practice refers to “duration” or “repetition” (Pecha-Kucha-Format). Please share your presentations on the GD here until 22 April 2020, 2 days before the next webstudio.

TASAWAR Research on Experimental Artforms
1 _ Write an introduction to the art form you chose (Art-Terms-Format). Reflect on the parameters for experimental approaches in your choice of an artform. Outline the ones of your choice, and explain them in a text.
2 _ Collect the info on the art form you choose in the GD TASAWAR Research in a folder and add them to your text.
3 _ Extend your list of artists at GD TASAWAR Research / Overview to 12 artists.

DISCOURSE ON DISPLAY
1 _ Read the second of the four texts and write a summary. Please add them on the GD here until 22 April 2020.
Maria Lind: Displacements and Sites Notes on a Curatorial Method.
Wiley & Sons Hoboken.us 2020
Elena Filipovic: The Global White Cube.
ONCURATING Issue 22 Zuerich.ch 2014
Paul O’Neill: The Curatorial Turn.
Intellect Bristol.uk / Chicago.us 2007.
Brian O’Doherty: Inside the White Cube.
The Lapis Press San Francisco.us 1976

TASAWAR Zine
Share good online sources with TASAWAR Collective. Downloads can be stored at the GD TASAWAR Zine.

// Studio 7 _ 26 – 27 March 2020

TASAWAR Zine: Share good online sources with TASAWAR Collective.
Downloads can be stored at the GD TASAWAR Zine.

MOOC c/o Centre Pompidou Paris 2018: L’art moderne et contemporain en 4 temps.
1 _ Please complete the part “Durer”.
2 _ Please prepare a presentation of a Tunisian artist whose artistic practice refers to “duration” (Pecha-Kucha-Format)

TASAWAR Research on experimental art forms in Tunisia
1 _ Collect the info on the art form you choose in the GD TASAWAR Research
2 _ Add your findings in the GD TASAWAR Research / Overview.
3 _ Write an introduction to the art form you chose (Art-Terms-Format).

TASAWAR Discourse on display
1 _ Read one of the four texts and write a summary.
Maria Lind: Displacements and Sites Notes on a Curatorial Method.
Wiley & Sons Hoboken.us 2020
Elena Filipovic: The Global White Cube.
ONCURATING Issue 22 Zuerich.ch 2014
Paul O’Neill: The Curatorial Turn.
Intellect Bristol.uk / Chicago.us 2007.
Brian O’Doherty: Inside the White Cube.
The Lapis Press San Francisco.us 1976

// STUDIO 6 _ 13 to 15 February 2020

MATTER OF TIME _ Budget
Please assist in finding addition resources.

MATTER OF TIME _ Communication Timeline
Please check the timeline and assist the communication team in keeping it.

MATTER OF TIME _ Text development
Please add your new text versions in the GD so that we can discuss them in the next studio.

MATTER OF TIME _ Conference
If you want to contribute to the conference, please develop a Pecha Kucha to frame your theme. We should present it at the next studio and we will provide helpful feedback.

MATTER OF TIME _ Curatorial Overview
? Artist
? Gender ? Geo-cultural background
? Time-aspect
Please add and correct the Excel sheet

MATTER OF TIME _ Production Planning
Please add your artists and check on the technics needed

// STUDIO 5 _ 9 to 11 January 2020

MATTER OF TIME _ Curatorial Overview
? Artist
? Gender ? Geo-cultural background?
Please add and correct the Excel sheet

// STUDIO 4 _ 5 to 7 December 2019
Take your time to prepare for the next studio

MATTER OF TIME International Exhibition Project
Artists’ suggestion
Please add an artist of your choice

_ meet with your MOT-team to prepare the part you are working on
#Imen & Maher: Introduction text to the international exhibition concept MATTER OF TIME
#Concept & Resources: Meet with Fatma and crosscheck on title and timing
#All & Resources: How can help with contacts, materials, technics, expertise, and budget?
#All & Production & Documentation: Images, measurements, maps, and info on the sites you would like to work on
#Audience & Emily: Journal du Palais?

DREAM CITY Review
_ add you text modules to the file DREAM CITY review

TASAWAR SCENE Focus Teams
_ no more follow-up

Pecha Kucha: CURATORIAL JUMP BOARD
>> Pecha Kucha: Curatorial Jump Board (4/studio/link to list)

PROFILING
>> Artists’ Profiles
>> Curators’ Profiles
>> Exhibitions’ Profiles

// STUDIO 2 _ 3 – 5 October 2019

>> Personal Statement: Curatorial Jump Board (All)

// STUDIO 3 _ 31 October to 2 November 2019
Take your time to prepare for the next studio

SUGGESTED TIMELINE

7 to 13 October 2019

_ finalizing the protocol (teamwork)
_ visiting DREAM CITY, collecting info (teamwork)
_ co-working time on website and WordPress (collective)
_ update personal profile (personal or tandem)

14 to 20 October 2019

_ writing the curatorial statement (personal or with tandem)
_ review and writing the DREAM CITY review (teamwork)
_ completing an artist’s profile

21 to 27 October 2019

_ preparing the PECHA KUCHA for those who will present in the next studio
_ research and development of one the themes of SCENE TUNIS, preparing a 20×20 presentation (teamwork)
_ completing an exhibition’s profile

28 to 30 October 2019

_ developing ideas for Enneja Ezzahra and preparing a 20×20 presentation

OVERVIEW

TASAWAR Incubator
>> Possible future project in Ennejma Ezzahara: Developing ideas and guiding interests

TASAWAR Scene Tunis
>> SCENE TUNIS Teams: Sounding out contents and projects that will take place in Tunis in the next months

The task is to do some research on the theme and to develop an open idea for a curatorial project. Explicitly, the research and development should be free and utopian, driven by your knowledge and interests, your values and your worldview. Your approach can be intellectual or poetic, provocative or fun … somehow aiming at unusual, new perspectives. Please prepare a presentation for the next studio that explains the links between your research and your guiding interest, between your idea and your ambition

About Bauhaus:
Referring to the Bauhaus 1919 – 2019 by Goethe Institut

About Brutalism:
Referring to the project “Patrimoini: Hotel du Lac” by Edifices & Memoires and the Goethe-Institute (info not published yet)

About Cultural Heritage:
Referring to the TASAWAR plan to develop a project for Ennejma Ezzahra

About Street Art:
Referring to “L’Art Rue

About Digital Media:
“Les mille et une nuits” by French Institute (info not published yet)

TASAWAR Review
>> DREAM Teams: Collect all info for the DREAM CIY review and start to write

CURATORIAL POSITIONING
>> Pecha Kucha: Curatorial Jump Board (4/studio/link to list)
>> Curatorial Statement: How to write a curatorial statement?
>> Curatorial Statement: Personal localization

PROFILING
>> Artists’ Profiles
>> Curators’ Profiles
>> Exhibitions’ Profiles
>> Editing history at the end of a post

STUDIO 2 _ 3 – 5 October 2019

>> Personal Statement: Curatorial Jump Board (All)

STUDIO 2 Preparations
Take your time to prepare for the next studio

>> Task to be done before the studio meeting
_ find info, text or interviews that explain a curatorial concept

https://visualarts.net.au/media/uploads/files/Curatorial_Toolkit.pdf

// STUDIO 1 _ 12 – 14 September 2019
Take your time to prepare for the next studio

>> Tools to learn
_ WordPress
_ Google Calendar
_ Facebook / WhatsApp group

>> Tasks to do
_ Personal Profile
_ Artist’s Profile
_ Legendary Exhibition Summary
_ Adding art events to the TASAWAR SCENE

>> Responsibilities to care for
_ Protocol 12.9.2019: Bettina
_ Protocol 13.9.2019: Amin
_ Protocol 14.9.2019: Frederike

>> Special Needs
_ Rola: Emily Sarsam / Mariem Besbes

>> News
_ Reflect on exhibition possibility at Palais de Baron d’Erlanger

FEATURED IMAGE

Ingo Wendt. SEE DJERBA Houmt Souk.tn 2019. Photo Corrie Francis Parks.